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International Eventing Forum 2018

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International Eventing Forum 2018

Ellie Kelly


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A healthy turnout of eventing supporters turned out for the 2018 edition of the International Eventing Forum. An event which has been held in the UK since 2004

 

The theme for this year was “What’s the limit?”. The sport of eventing has evolved considerably in the last 20 years. Dressage technicality has taken on a new meaning and the quality of work and horsemanship required in this phase has increased radically. When Cross-country switched from long to short format, it reduced the influence of stamina but brought more emphasis on technicality and mental as well as physical agility in horse and rider. In turn, show jumping has become more demanding, requiring a greater level of training and precision than was previously the case.

 

Through a variety of topics and between four highly regarded professionals, the  big question posed at this insightful day was “how far can we actually push the boundaries in our sport to keep up with obvious performance improvements of both horse and rider”. But in a sport where amateurs compete alongside professionals, how can  we raise our game without becoming elitist and alienating the enthusiastic amateur?

 

Former International Dressage rider Sandy Phillips, is a familiar face in the judges box at many of the world’s FEI events. In eventing she judges at Three and Four star and she endeavoured to unveil what the judge is looking to see, in order to gain the higher marks.

 

With two competent demo riders in Tom Mc Ewen and Jonty Evans, Sandy put them through their paces and gave a critical commentary. Overall, her focus was on “riding the jump” with your seat and creating as big a step as your horse’s balance can cope with. “To impress the judge, Event riders need to be more confident in riding forwards in the dressage arena and use those corners as much as possible” she said.

 

Eric Winter followed with some useful tips both for riders and coaches. He worked with three young riders, all riding young and green horses. He set up a number of simple jumping exercises to emphasise what the basics of good jump training were. “Circles are the foundation for all riding. Not just in dressage but in jumping in the way that course designers put jumps on turns or curving lines. So you need to be able to ride a circle perfectly. As a rider you should have three questions when approaching the fence

1) Is your horse genuinely taking you or are you pushing it?

2) How straight are you on the line to the fence

3) Is the rhythm regular?

The rider should be focusing on this but it is up to the horse to find it’s feet at the pole if it has been correctly presented” he explained. “Repetition of an exercise produces an understanding on the horse of what is happening. Be patient with exercises to allow the horse to buy into the process and in doing so, gain confidence. Teach a horse to look for fences around corner. It is when they are surprised that they make bad decisions.”

 

After lunch, Performance Psychologist Charlie Unwin delivered his philosophy on mind management and how the mind can limit the body when under pressure. The Horse Scout advocate talked about the importance of only allowing yourself to focus on positive psychology. And how he helps rider to achieve what is known as “flow state” a level of 100% focus and concentration whilst delivering a performance. “Your thoughts have a way of sinking into your hands, your legs, your seat and the whole of your body so a lack of self- belief can be the biggest barrier to improvement and success.”

 

Charlie also discussed “Identity” to the audience. “This is the story you tell yourself about yourself. We ask ourselves “Who am I?” But you should be saying “Who do I want to be?”. The warm up arena is the biggest example of this, a place where riders often become shells of themselves. Instead riders should embody the mind beliefs and body of a World Class Rider. It is common for riders not to even consider themselves as an athlete but instead as simply an instrument to get the best out of the horse. In order to become an athlete you need to think like one as well as training and preparing like one” he said.

 

The final session was led by Frederik Bergendorff, a former international event rider and Gold medallist at the 1993 Europeans, Frederik now holds the role of Team Sweden’s Eventing Manager.

 

He worked with four star riders Imogen Murray and Ludwig Svennerstal and highlight what the basics of good jump riding really were for all levels of rider. He reinforced the importance of the warm up and quality preparation. “Your horse must be totally through from behind before you start jumping.”

 

His focus was on doing the basics better in training and he laid his principles out clearly for spectators. “Don’t go up a level or do something new in a schooling exercise unless you have mastered that one. To approach a fence you should have pace, energy and a good frame in the horse before the turn so that as you approach you can just concentrate on keeping the balance and rhythm. Being in balance means the rider should be sitting in the middle of the horse and you train balance with your seat. If you approach is correct then there should be no need to look for strides, the fence will find you. On landing from a jump, you should press the horse forward to the hand from the leg. Not only will this save seconds in the ring but it will stop him falling on the forehand.”

 

The International Eventing Forum will return to Hartpury  on the 4th of February 2019 and the speaker will be announced on http://www.internationaleventingforum.com/ soon.

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General

International Eventing Forum Preview

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International Eventing Forum Preview


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This goes out to all the eventing enthusiasts amongst  our thousands of members, here’s a date for your diary. That is if it’s not etched in your diary already.

When: Monday 5th February

What: The 2018 edition of the International Eventing Forum

Where: Hartpury College, Equine Centre

Once again, Hartpury College will open its state of the art facilities to eventing enthusiasts from Grassroots to 4* level. This year promises an all-star line up of riders, trainers and performance experts. There will be four key speakers throughout the day and in some cases, demonstrations involving well known riders. After each of the four sessions, there will be a chance for the audience to ask questions.

Sandy Phillips kicks off proceedings at 10 am with a focus on eventing dressage and reveals what the judge is really looking for. As a member of the US Olympic dressage team, Sandy competed in three World Championships. When she moved to England and married Captain Mark Phillips, she rode for the British team at the Europeans and the World Championships. Now she flies around the world as an FEI 3* and 4* Judge for Eventing and Fei4* Judge for dressage.

Eric Smiley will be discussing how the sport has changed and might progress in the future. Eric who competed for the Irish team and at many 4*’s, is also one of the founders of the IEF. With an FBHS after his name, he is one of the most highly qualified trainers in the eventing circle.

After lunch and a chance to network and gossip with your fellow eventing anoraks, Performance Psychologist, Charlie Unwin will take to the stage. Charlie will be highlighting the importance of mind management and explaining how we can train our minds to improve our performance, even under the pressure of a competition environment. You can discover more about what Charlie does in our blog: Mind Games.

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Frederik Bergendorff rounds off the forum, with a talk on “Preparing for the Top”. Frederik is the new Swedish Event Team manager and coach who helped his team to a bronze medal at the 2017 Europeans in Poland.

Tickets are cheaper to buy in advance but there will be some reserved for on the door. Prices start at just £45 for the whole day.

http://www.internationaleventingforum.com/2018-theme/tickets/

Written By Ellie Kelly

General

Mind Games

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MIND GAMES

Success in Equestrian sport is rarely achieved without careful preparation. Although by the word “preparation” we mean something beyond gymnastic jumping exercises and perfecting your square halt. Mental preparation and controlling nerves, is so often the difference between winning and losing. You would not be alone in thinking “how do I replicate what I do at home at a competition?”

Charlie Unwin is a leading sports psychologist who has been helping a number of elite riders and Olympic athletes from a number of sports. As part of the World Class Programme, he also helps the British Eventing Team from Young Riders up to Seniors.

 

After Military training at Sandhurst, Charlie started his professional life in the Army. During this time he served in Iraq as a platoon Commander. Upon leaving the Army, he focused on his passion for sport and begun training to become an elite Modern Pentathlete. Within two years, he was selected to go to the World Championships for the British team and in 2007 he was crowned National Champion. With this background, it is fair to say that no one understands pressure and nerves better than Charlie. We are lucky enough to have him as one of our advocates and here he sheds some light on mind management for riders.

“I help people recreate their best under pressure” he states. “Most people come because of nerves or a loss of devotion. Nerves can manifest in so many different ways but ultimately the common problem is that they are not able to recreate what they do at home.”

 

You have many forms of psychology and help out there but Charlie’s approach is a scientific one.

“There are two important areas of the brain at play when it comes to performing at your best, the emotional brain and the rational brain. The emotional brain represents the “Driving Force” of our performance, whilst the rational represents our “Guiding Force”. The driving force is both good and bad. It is the reason we get out of bed. It gives us energy and motivation. Yet it also makes us aware of perceived risks and can create fear and frustration, sometimes getting out of control. The guiding force concerns our focus and capacity to think clearly about what really matters. It makes us prioritize and do what is really important. The driving force is significantly stronger than the guiding force, meaning that emotion trumps logic if we don’t learn to manage our mind. This typically requires planning and visualization skills designed to help riders think correctly despite feeling nervous.

An example is where highly motivated and aspirational people struggle to channel their motivation effectively. The danger here is being high energy but fragile control or confidence. Then I need to work on their focus to prepare and plan. I also see people who are consumed by fear, for whatever reason. They become scared to make decisions. Some people like tips and techniques to help them but the most important thing is that they understand why they are doing it.

 

In addition, I am also trying to help riders tune into their intuition, tapping into their vast reservoir of experience that cannot always be expressed consciously. When a rider is learning their trade, they go through a process of making corrections. If these are well thought out, e.g “why did that happen when I did this”. The enhanced connections in the brain allow them to develop better intuition. So if a young rider only cares about results and less about mastering their sport, they end up compromising the thinking required to train the brain. So often, after a lesson a rider will untack, load up and not do much reflection on why something went well or badly. In avoiding this, they have not allowed their brain to process everything they have just done. In order to make something become intuitive, a rider should write down their plans and objectives before and after sessions as well as how it went and what made the difference. They should have coaching conversations with instructors about how things went, not just in the saddle.

 

I encourage riders to do the thinking and planning up front, before even getting on. This is so that when you are in the saddle, you just focus on feel. Often experienced riders stop trusting their intuition because they start to over-analyse things whilst on board. When you are coming down to The Lake at Badminton, you can’t afford to be thinking about too much other than how you are going to approach the fence. If the horse deviates from the line, it should be your intuitive riding that corrects this as your subconscious will react faster than your conscious mind.

 

It is important for riders to empty their minds in order to deliver the best performance. When you are in the start box or about to enter the arena, if you are uncertain about your plan and focus, you are not going to be able to ride to your best. At a base level, daily meditation is the best way to clear your mind as it allows us to access the more unconscious parts of the mind responsible for intuition. The app Headspace is great for this.

 

Equestrians are perhaps the most guilty of “doing, doing, doing”. The price paid can be a lack of reflection and therefore undermines their ability to judge the intrinsic quality of their work and make changes for the better. When I was a pentathlete, I was striving to do five sports well and you often don’t stop and reflect. Then I realised I was substituting quality practice for quantity and changed my training plan. I halved the amount of technical training but was more diligent at planning it. The training I did was more intensive and focused and I meditated before each training session. My results shot up and I started achieving things I didn’t think were possible.

 

Top riders like Michael Jung seem to follow this strategy. He doesn’t do many competitions but each one has a focus and a goal. He is very diligent about planning and when he trains, it is with real intensity.

 

We are creatures of habit and some people find it scary to stop what they are doing and reflect on what it actually takes to improve.

 

If you found this interesting, Charlie Unwin offers an online programme of podcasts and webcasts on mind management and controlling nerves.

 

Subscribe at https://www.performancelegacy.com/equestrian or join Charlie Unwin Psychology Coach on Facebook.

 

Written by Ellie Kelly

Image taken from https://www.performancelegacy.com/about

Eventing General

Horses for sale are sold correctly with Horse Scout

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Making sure your horses for sale are sold correctly with Horse Scout

The majority of us who have ever sold a horse will have experienced tyre kickers, joy riders, greedy agents and trainers with their own agenda. Then there are the international scammers who want to buy the horse from a video without questions- just send all your bank details to that man in Nigeria. It is these individuals who make the selling process an unpleasant experience.

The Legal aspect

Unfortunately when you come to sell a horse, whether you have owned it for a decade or a week you do not have many legal rights and buyers know this. If you are a commercial set up, individual or professional rider who has put expenses for horses through the books, then that makes you a dealer.  It makes no difference if you have owned the horse for years and are selling at a loss.

From a legal point of view, horses are considered as goods. Therefore the jurisdiction relating to the sale of goods applies to them. The law provides people buying from a dealer, significantly more protection than it does as against a private seller.

When someone buys from a seller acting in the course of their business, section 14 of the Sales of Goods Act 1979 will impose terms into the agreement for sale, such as that the horse is of satisfactory quality and fit for the purpose it is being bought for. What this means is that the purchaser has the right to annul the contract and return the horse if it is not in compliance with these terms. For example, if the horse has a behavioural problem that was present prior to the date of purchase, which the buyer only discover after the sale. The buyer is then entitled to a full refund and it is even up to the seller to pick the horse up at their own expense.

However, in the words of an world renowned and highly regarded horse dealer (who shall remain nameless) “you sell the horse not the rider”. Meaning that horses can be ruined very quickly by an unsuitable rider. The good news is that the seller does have some legal rights in this event.

The law regards the purchase of a horse as being the purchase of an unknown quantity. They call it “caveat emptor”, essentially meaning “buyer beware”. So the buyer is responsible for examining the horses thoroughly for suitability and quality before handing over any money. An agreement for the sale of a horse depends both on “express terms”- those specifically agreed between the parties and “implied terms”, which are the conditions implied by the law.

So if you are looking to sell a horse, we have come up with our tips on how to make the process as pain-free as possible. Some may seem obvious but we would hate to say “I told you so”.

  • Honesty is ALWAYS the best policy. If you want to establish and keep a good reputation, it’s never worth deceiving people. We are probably all fools for buying a horse in the first place but not many of us are as ignorant as we may seem, we do our due diligence and insincerity will always come back to haunt you. The horse world is a bitchy place and a hive of gossip and slander- a bad horse is not worth a lifetime of abuse. Remember as a horse seller, many buyers think of you as about as trustworthy as a used car salesman. So surprise them by being totally upfront about a horse’s weaknesses, imperfections and history. It’s a win-win situation and reverse psychology can be an effective tool.
  • Sell quality, correctly produced horses. Quality always sells and usually quickly, meaning less overheads. If you limit yourself to more quality than quantity, you will secure a solid reputation in the industry and have people banging down the door trying to buy your horses. Something ridden with pleasure, is seldom made without effort. You cannot make a Grand Prix dressage horse in two months but train him to stand still when the rider mounts, to load easily and jump around a course without head-butting the rider.

Resist buying it in the first place, solely because it is cheap. Find something desirable that preferably ticks the three boxes- temperament, talent and conformation.

If you do end up with a bad one, consider whether it is worth the effort of trying to make it a good horse. There are other dealers out there who won’t ask the questions and care less about their own reputation.

 

  • Lame horses lose time and money. This goes hand in hand with honesty. If you know it is not 100% on a circle then the vet examining it, certainly will and that just makes you look a fool. There are buyers out there, brave enough to take a punt so if the horse cannot be given time to recover, drop the price and be upfront.

 

  • Market your product. Buyers are unlikely to be convinced to come and look at a horse with blurred iPhone photos and a video filmed from 200 metres away. It can take time to make a horse presentable and make him stand square but it is worth it in the end, whatever the value. So lose the shabby pink headcollar and the muddy legs. Stand him on level ground and throw a few carrots in the air to make him smile for the camera. It’s like internet dating- first impressions do matter!

 

  • The skill of advert descriptions. Make it comprehensive but concise. Imagine you are a journalist or marketeer and try and hook your audience with the opening paragraph. Height, age, sex, purpose and a few buzz words to sum up temperament, looks or ability eg unbelievable scope, wow paces, ultimate schoolmaster. It won’t work on everyone but it helps if you seem positive and excited about the horse you are selling.

 

  • Price appropriately. If you really want to sell, ask a fair price for what the horse is worth today, not what it will be worth in three months’ time after intensive schooling and three wins under it’s belt. When working out price, consider the obvious- the horse’s age, history of soundness, level of training, rideability but also the time of year and your location. It is no myth that the same sound competition horse will command a higher price in affluent part of the country which is easily accessible, than it would if it was based on the North coast of Scotland. Remember everyone likes to feel they are getting a bit of a deal, so be prepared to take something off the asking price. On the other side of the coin (excuse the pun), too cheap will sound alarm bells.

 

  • Realism saves time. Ask the buyer early on, what they are looking for and an honest appraisal of their riding ability. Take a written note of this, it may be useful if you ever get caught in a legal battle over the unsuitability of a horse. Evaluate from their description, their background and their riding as to whether this horse will cope with the partnership. Measure your horse’s height with a real stick rather than relying on what it says in the passport, estimated when it was a yearling.

 

  • Be courteous and prompt Even with suspected time wasters. Respond within 24 hours, even if you cut and paste a ready-made “template”, including video links. Serious buyers will usually pick up the phone first but the downside of living in a digital age is that many people are almost scared of picking up the phone. Keep all prospective buyers in the loop about a horse’s status eg just won a British Novice, still for sale etc. Even if they decide your horse is not for them, be polite and wish them the best of luck in their search. They may end up coming back another time if they enjoyed dealing with you. Or if you know someone selling a horse which may be more suitable, it is always worth sharing. They are more likely to return the favour.

 

Testimonials

“We’ve used Horse Scout for selling horses and I have also been to see horses to buy. There is always a huge selection and you can target exactly what you are looking for.” – Emily King FEI 4* Event Rider. 

“We have advertised multiple horses with Horse Scout and have sold horses quickly and efficiently. We find that responders to the Horse Scout advertisements are genuine and knowledgable horse people which makes advertising with Horse Scout very appealing because you know the horses are going to capable caring homes. The personalised service Hannah and her team provide makes advertising quality horses easy” Alex and Suze Peternell International Event Rider

“I have been using horse scout for the past 8 months. It is a fantastic contribution to the successful running of my business. Easy to use, great service from Hannah. I would recommend to anyone.” Dan Sibley International Event Rider 

 

Written by Ellie Kelly

Photography credits to Libby Law

General

Badminton build-up Giovanni and Kathryn

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Badminton build-up Giovanni and Kathryn

“I would rather win Badminton than any other event in the world” reveals international eventer Giovanni Ugolotti. “There is a feeling that no other event has, even the World Championships or Olympics and for Kathryn and me, it is what we have been dreaming of from childhood.”

With team appearances at the Olympics, World Games, European Championships, the Pan-Am Games and a number of CCI4* events between them, you could say that Kathryn Robinson and Giovanni Ugolotti are eventing’s “power couple”. Together they run Cranford Stud, an eventing and training yard in Gloucestershire and are both planning to compete at Badminton 2018. Horse Scout are giving away a prize for two people to walk the Badminton course with Kathryn and Giovanni and discover their trade secrets.

Giovanni started eventing in his native Italy and finished 4th in the Italian Junior Championships in 1999. He rode for the Italian Army Equestrian team from 2002 until 2007 before arriving in England in May 2008 to work for Andrew Nicholson. This was followed by a stint riding young horses for Tristram Owers. He quickly made his mark on the British scene taking 1st and 2nd at Hartpury CCI1* in 2008. In 2010 he finished 12th at Pau CCI4* and has competed at Badminton on three occasions.

Kathryn was born in Canada to a British father and Canadian mother but has been based in the UK for most of her life. The daughter of unhorsey parents, she began riding at her local riding school and was an active member of the Woodland Pytchley Pony Club. Kathryn didn’t take up eventing properly until she was 19, whilst working for international eventer Sam Albert.

Kathryn admits her career would not have been the same without her ride of seven years, Let It Bee. A horse she bought from Germany simply as an amateur horse but with whom she has scaled the highest level. The pair have competed at Badminton, Pau, The Pan Am Games and the Rio Olympics. Kathryn is hopeful for a good placing at this year’s Badminton, having jumped a double clear at her first attempt here in 2016.

So what do you need to excel at Badminton? “You need a partnership with your horse” explains Giovanni. “And your horse needs to be at the top of his form that weekend. You can have very good horses, capable of winning but if they are having an off day or are not at their peak for those four days then you are not going to win. You need a bit of luck” he says.

Kathryn and Giovanni will walk the Badminton course about four times. “The first impression doesn’t usually change too much and it is certainly a course that doesn’t get any smaller each time you walk. In fact, with Badminton I find that the more you think about it, the bigger it seems” he smiles.

Giovanni and Kathryn have a healthy working relationship rather than a competitive one. “We try to help each other” says Giovanni. “Kathryn helps me a lot in the dressage and I try to help her in the jumping. Sometimes we bump into arguments like every couple does. Luckily we like completely different kinds of horses, so it works out quite well.”

During the winter Kathryn likes to keep her eye in by riding out racehorses for trainers such as Ben Pauling and Alan King. Whilst Giovanni prefers to capitalise on the downtime, returning to Italy to see family. He is an ardent football fan and supporter of AC Milan.

Life on the yard is pretty busy so during the season, there is little time for other hobbies. “There is a lot of paperwork involved with running an equestrian business” explains Kathryn “Although we sometimes go to the gym after we have finished riding the horses”.

For 2018 they have some exciting young horses coming through, but good result at Badminton is vital for both riders as it will help their chances of team selection for the FEI World Equestrian Games in Tryon in September 2018.   

Written By Ellie Kelly

General

Emily King’s training trip to Marcus Ehning

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Emily King February 2016-1193

 

Emily King – My trip to Marcus Ehning

At just 21 Emily King has already made a strong impression on the Equestrian world. She entered her first BE event at the age of 12 and from the age of 15 was a regular member of British Junior and Young Rider Teams. Emily won individual silver at the Junior Europeans in 2012, the same year her mother won eventing team silver at the London Olympics and made her CCI4* debut in 2015, finishing fourth with Brookleigh, at the tender age of 19.

Horse Scout are lucky enough to have Emily on board as an advocate. Ellie Kelly caught up with the gutsy blonde, shortly after her return from time spent with German show jumping champion Marcus Ehning, who helped Germany win team gold at the Sydney Olympics and the World Equestrian Games in 2010. He has made it to the top of the FEI Longines World rankings and has partnered great horses such as For Pleasure, Plot Blue and Comme Il Faut.

“I’ve always admired Marcus as a rider and after I left school at 16 to focus on eventing, I have been away training at different yards every winter” explains Emily who has previously been to Pippa and William Funnell, German showjumper Marco Kutscher and Finnish eventer Piia Pantsu. She has spent two winters with Ben Maher and honed her flatwork skills with dressage riders Ferdi Eilberg and Kyra Kurkland.

Emily spent six weeks with Marcus, coming home just before Christmas. “I basically work as a groom and rider. I found my own accommodation and instead of payment, I received training” she explains. “It really was fantastic because I learn so much about their routine and management as well as the riding side.”

Emily took one horse with her, Quinlan Z, a six year old stallion who was purchased as a five year old last spring with the intention to event him but also use him as a breeding stallion.

“Marcus is such a great horseman. In the entire time I was there, I never once saw him get cross with a horse. He is always quiet and patient and it’s interesting as he is a very slight build and yet rides a real variety of horses, from big, powerful stallions to small, really blood types. When you ride his horses, they all go in the same way, because of the way they are produced by Marcus” Emily says.

“His training philosophy has a lot of emphasis on rhythm and he was encouraging me to keep the horse in a forward open rhythm, between fences and through turns. So the idea is that you take one less stride to every fence” she explains.

“What I also found interesting was that he likes to give the horse a lot of space in front of the fence, rather than ramming them into the bottom of the fence as you expect some show jumpers to do. This is to allow the horse the time and room to make a shape and teach good technique” says Emily. “It was amazing what a difference it made when I started to ride with this in mind. He is strict on rider position so I hope I have improved in this respect too.”

When it comes to management and the running of the yard, Emily says their attention to detail was on another level. “The grooms knew each horse inside out and whenever a horse came back from a show, it would be jogged up and undergo a flexion test. Every Monday, the vet would come and all 22 of Marcus’s top horses would be jogged up, flexed and seen on the lunge” she says. “His horses would be ridden for about 45 minutes or more as well as going on the walker and they always went out in the field each day.”

The 2018 event season is nearly upon us and Emily is excited to put all her winter training to practice. “This year is looking good so far. I have some lovely horses to ride and some exciting young ones. Then there is Dargun, who did his first CCI 3* last year and will be aimed at some ERM classes and maybe a CCI4* in the autumn. He has so much ability but is still young so I plan to take it slowly” she says.

Emily has been working with Horse Scout since Spring 2017 and has already reaped the benefits of all it has to offer. “We’ve used Horse Scout for selling horses and I have also been to see horses to buy. There is always a huge selection and you can target exactly what you are looking for. And I love following their social media.”

“I’ve also been riding in Jin Stirrups which Horse Scout introduced me to and I love” she says. “They are light and the grip is amazing. Even when it’s raining and muddy, they stick tight to your foot.”

Emily’s top tip

“Leave no stone unturned. Plan for every eventuality and be ready for anything that might be thrown at you at a show. That really gives me confidence.”

 

Written by Ellie Kelly
Photo credits Hannah Freeland Photography

General

Riding tools and tips from our professionals

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One major riding tool your trainer is trying to teach you

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Hi, I’m Stephen Hayes, FEI Dressage Rider and trainer from Great Britain, based in New York and Florida, USA. This is an article I’ve felt brewing for a while now, having taught many clinics around the world I feel like I’ve had a really good share of many different types rider, there is the brave and bold, the shy and timid, the rider that has a little devil on their shoulder constantly tearing them apart, the rider who attends my clinic already knowing everything there is to know about Dressage (even the best of the best will admit there is lifetimes of more knowledge to be learnt), there are the diamonds in the rough, the adult amateurs who put their heart and soul into every second in the saddle, the die hard professionals, riders triple my age and being an amazing role model. There isn’t a day that I’m not trying to improve my teaching style and methods, but there is always a couple of subjects which replay time after time in each clinic. Here is just one!‘BUT IM NOT SUPPOSED TO USE MY INSIDE REIN? I FEEL LIKE IM BEING ROUGH WITH MY HANDS, AM I PULLING HIM? I NEED TO BE LIGHTER WITH MY HANDS, BUT I CANT GET HIM ROUND ENOUGH HE’S TOO STRONG’Then I go on to explain the followingContact is such a massive and wide ranging word in dressage, and that’s why Dressage is so beneficial to all Equestrian sports. Contact is such an important and beautiful aid that many riders are not taking full advantage of or on the other hand abusing. Contact is very similar to a loaded gun, used correctly and in a positive and productive way it’s a VERY useful tool. Used in a negative way, then a loaded gun is no longer a useful tool. I’m sure we have all seen a situation where the contact is being abused, that’s easy to notice, but I’m going to talk about the opposite end of the scale, which are much more humane scenarios to the horse, but are still not beneficial to the horses physical and mental well being as the rider is still not truly connecting with their horse through the reins.

I have seen riders so brainwashed to avoid using their inside rein that their literally riding around the arena in constant counter flexion. A riders inside leg absolutely creates bend but if your not at all touching your inside rein… ever… Then how the hell can we expect the horse to be truly flexed around a circle/pirouette/half-pass the list goes on. The inside rein is an ingredient that you NEED, direct the neck to correct flexion, and let your inside leg be a boundary like he’s walking around a lamp post, use the inside rein in conjunction with your inside leg and outside half halt. It’s a balancing act of the three aids. Of course don’t abuse the inside rein but certainly don’t avoid it altogether.

There is SO much to cover on contact, I could have you here all day but one last thing. Giving and taking of the reins, the whole concept of a release of a particular rein or both is a reward. I see people giving and taking every milli second. Do you give your dog a treat if he’s dragging you around the park? Do you give your dog a treat if he’s jumping up at you if your asking him to sit? Are you feeding your dog a treat every second as he’s sitting down or do you let him sit and wait there are few moments till he’s earned the reward. You see where I’m going with this?

​You are your horses teacher, the ‘give’ is when your horse has yielded to the contact and is chewing and suckling the bit. Not when he’s ripping your shoulders out their sockets. That’s not to say Im asking my riders to stay on the end of the rein like a brick house, of course not, you have to be productive. I want my riders massaging and manipulating the corners/bars of the horses mouth through a consistent contact, until the horse decides to unlock and let go of his jaw/poll/neck while moving forwards and sideways from his riders leg aids. That is then your window to reward, he’s going to love the feeling of being relaxed and loose in his poll, throat lash area and neck, thousands of endorphins are being released while doing so, and in return you push forward your hands from his wither for a moment. That’s the real idea of a give. That’s how he will learn to want to soften to your hands, he’ll eventually understand that your hand is guiding him to a better place, now your hand has become a friend, and it’s being productive to your horses mindset. He will no doubt begin to follow your lead. Unfortunately horses don’t read a book at night on ‘how to become more supple’ they have NO idea unless we show them the way, and one way in conjunction with other aspects is through your HANDS. So don’t be afraid of the contact, it’s a beautiful thing once being used correctly.

Written by Stephen Hayes
Photo credits Amanda Diefenbach
Stephen Hayes riding Alfonso owned by Caroline McConnel

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General

Edwina Tops-Alexander speaks with Horse Scout

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Edwina Tops-Alexander speaks with Horse Scout.  Girl on Top, by Horse Scout press Ellie Kelly./

Edwina Tops-Alexander

I think I have a girl-crush on Edwina Tops-Alexander…

She is a chick who has nailed it in life. Born with talent and good looks, together with effortless style and the will to win. Then throw in a successful husband and having her first baby at the age of 43, life must feel pretty good.

It widely noted that unlike in eventing and dressage, there is an absence of female riders at the top of the jumping world rankings. Therefore it was particularly significant to see Edwina head the Western European League World Cup Rankings after Olympia especially in a region that is home to many of the most successful riders in the sport. Below Edwina, the ranking list features predominantly men, all the way down to Emily Moffitt who is the next highest female in 27th place as this goes to print.

As we go into the New Year, social media is awash with motivational quotes but one I believe to be true is the notion that “You make your own luck” and Edwina Tops-Alexander is living proof. Born to unhorsey parents in the suburbs of Australia, she took up riding at the age of eight. She joined the Pony Club and her love of show jumping developed throughout her teens. After winning the Australian Young Rider Championships in 1998, Edwina made it her mission to compete against all the best riders in the world. After leaving sunny Sydney where she was a big fish in a small pond, Edwina made a brave move to Belgium where she was virtually unheard of. She took a job working for Ludo Philippaerts and through hard work and determination, quickly made her mark on the European scene. There she met her husband, Jan Tops, the former international rider and founder of the Global Champions Tour.

Today Edwina is one of the most successful showjumpers in the world, dominating the world rankings, competing at three Olympics and four World Games. The Australian beauty is seen as a style icon in the equestrian world- with an entire riding wardrobe designed by Gucci and reinforced by the 78.5k followers she has on Instagram. Earlier this year Edwina announced she was taking a break to have a baby with her husband and on 31st July, Jan and Edwina welcomed a daughter Chloe, to the world. Just over a month after giving birth, Edwina returned to the ring.

It was not long before Edwina was back to her winning ways. In December, she was beating the boys in the seventh leg of the FEI World Cup at La Coruna, Spain, partnered by the super little mare, California. Then it was off to the London International Horse Show at Olympia where she finished in third place on Inca Boy van T Vianahof. This a nine year old horse and only their sixth show together as she has only been riding for two months. He was produced in Britain by Tim Wilkes. It was this result which then placed her at the top of the Western European league in the Longines FEI World Cup Series.

We caught up with Edwina at Olympia about whether being a mother had altered her outlook on sport and in life.

“Yes life has changed. I don’t worry about things, except for worrying about Chloe I guess. It did me good to have a bit of a break. It’s hard to do this sport and go every week and stay on top. There is a lot of pressure involved to stay in the rankings. So it actually gave me an opportunity to have a bit of a break from competition. It’s a great feeling to be a mother” she explained.

“I think it’s also positive for other women to see that you can come back to sport and it doesn’t have to hinder your lifestyle and your goals” she says.

So maybe Edwina is a sign of the changing times and proof that with grit and determination (and a decent baby sitter) women can have it all.

General

Funnell Vision,

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Press by Ellie Kelly Media, Horse Scout Team

The London International Horse Show at Olympia has been happy hunting ground for our ambassador William Funnell, for a number of decades. This year William brings two “Billy” horses Billy McCain and Billy Angelo to the line-up. Both horses have been bred by the world famous Billy Stud, a joint venture between William and Donal Barnwell.

Billy McCain is a flashy grey nine year old gelding owned by Denise Stamp and has been causing a stir on the international circuit. He is by Cevin Z, a former Grand Prix jumper who William competed. The dam sire is an Irish Sport horse by Cruising out of a Sky Boy Mare. This season he has stepped up to CSI 5* competitions, including competing in the FEI World Cup in Oslo in October.

Billy Angelo is an old timer on the showjumping. The 14 year old chestnut gelding is by Tangelo Van De Zuuthoeve out of a Kroongraaf mare has been competing in the Global Champions Tour as well as having 10 FEI wins under his belt.

Horse Scout has supported both William and the Billy Stud in a number of ways in 2017. We have been promoting the Billy Stud bloodlines via our Global Equestrian Platform including providing media coverage of the Billy Stud auction.

Our employment services provided the Funnell team with a key work rider Jay Hijazi who has been with them over 12 months. Jay told us: “Working at the Billy Stud has been an amazing experience. Just incredible”.

Through our product placement, we also secured JinStirrup Dynamik irons for William Funnell. A cutting edge stirrup with a new product line appearing in 2018.

 

FEI World cup General Horse Advice Horse Riding Tips Jumping Olympia Horse Show The london international horse show the puissance

A History of the Puissance

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AGAINST THE WALL

A History of the Puissance

By Ellie Kelly, Horse Scout Team Press.

It is a leap of faith that requires the most extraordinary levels of trust between horse and human. If you have ever ridden down to a big fence you know that feeling- a mixture of excitement and adrenalin coupled with fear and trepidation. So jumping a 2.13m (7ft) wall whilst a crowd of thousands sit motionless, takes a certain kind of mind set, that of Horse Scout professionals!

The Puissance is one of the most famous and perhaps for spectators, the most exhilarating show jumping competitions in the world. It is always one of the first performances to sell out at the London International Horse Show where it traditionally takes place on Thursday evening. Olympia’s Puissance is one of the most famous and respected competitions worldwide and for this reason has attracted sponsorship from Porsche so it is now known at the Cayenne Puissance.

Essentially a high jump competition, the word “Puissance” was derived from the Anglo-French word meaning “power” which also reflects the requirements of a good Puissance horse, together with a large dose of pluck and trust in their rider.

Today’s Puissance competition is essentially the development of a horse high jump competition which began over one hundred years ago. Historical sources suggest that the event was contested once at the Olympic Games in 1900. Whilst the original version involved jumping a single, slightly sloping fence made from a hedge topped with timber rails, today the formula consists of “the wall” built of hollow red bricks made from wood. This is for safety reasons so that they tumble easily when the jump is knocked.

The World Record was set in 1991 when German Rider, Frank Sloothaak aboard Optiebeurs Golo, jumped 2.38m (7ft10 ins). Until that it was Nick Skelton who held the record which he achieved in 1978 when he and “Lastic” jumped 2.31m (7ft 7 ins) at Olympia. Nick still holds the Olympia Puissance record to this day. However records suggest that the record for the equestrian high jump stands at 2.46m (8ft 1ins) was achieved by Captain Alberto Larraguibel Morales in Chili, in 1949.

At The London International Horse Show,  the class involves a maximum of five rounds- the first round followed by four jump-offs. Accuracy, power and nerves of steel are key and there is certainly no room for even minute error for horse or rider, when jumping such colossal fences. There is always at least one other fence placed in the arena so riders jump a “warm-up” fence before coming to the great wall. The starting heights can vary and for the subsequent jump-offs, the jumps are raised for each round. The winner is of course the horse and rider who jumps that famous brick wall at the greatest height. In the event of equality after the fifth round, riders share first prize and sometimes riders choose to bow out gracefully whilst they are equal first and share top spot with their rivals. First prize is worth £20,000 so it is taken very seriously.

Show jumping’s most famous family- The Whitaker’s, have been particularly successful in this competition. John Whitaker holds the record for winning the most amount of Puissance’s at Olympia whilst his son Robert is a Puissance genius and holds the record for jumping the class bareback (without a saddle). Robert’s cousin Ellen Whitaker has been one of the most successful female Puissance competitors and her brother William holds the record for being the youngest winner of the Olympia Puissance.

Robert Whitaker has won over 20 Puissance competitions and 13 consecutively on the impressive chestnut Finbarr jumping over 2.26m (7ft 5)ins  on one occasion in Dublin. “To win any class at Olympia is fantastic but I think the Puissance is even more special.” Says Robert. “It’s a class the crowds love, Finbarr was particularly popular because he’s this big horse with an even bigger jump. Although he certainly had his own style and technique jumping that wall.”

Robert and his horse Waterstone hold the record for bare back puissance clearing just under 2.1m (7ft). “It was one of those occasions where everything just went to plan on the night as Waterstone had never jumped a puissance before or even practised at home” says Robert.

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