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Imagery by © BEF / Jon Stroud Media
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Horse Scout Opinion: What’s happening to British Showjumping?

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Showjumping was once the pride of the British nation. With a golden era spanning from the 1950s to the 1990s where Britain was consistently in the medals and the sport enjoyed a high television profile, riders like David Broome, Harvey Smith, Nick Skelton, and the Whitaker brothers were household names.

 

However, the sport started on a steady decline. Blamed largely to a shortage of horsepower and a crisis of management by the governing body, the lack of medals became a source of embarrassment to riders and followers. Suffering from a low profile led to many of Britain’s best horses being sold abroad. Tinkas Boy, a horse produced by Nick Skelton was sold to Swiss rider Markus Fuchs who went on to win four Championship medals including team silver in Sydney 2000.

 

Then in 2012, the British showjumping quartet of Nick Skelton, Peter Charles, Scott Brash, and Ben Maher put the sport back on the map by winning their first Olympic gold since 1952, in front of a rapturous London crowd. Nick Skelton continued to keep the dream alive when at the age of 58, he claimed the individual gold in Rio 2016- his seventh Olympic Games with the great Big Star.

 

But history repeats itself and recent results suggest a demise is once again occurring in the British camp. We are still not qualified for Tokyo 2020, with just two opportunities for qualification left.

 

This year we failed to be in the reckoning for a medal at the World Equestrian Games in Tryon. Whilst we qualified for the Longines Nations Cup Final in Barcelona, after finishing in second to last place, the future of British showjumping looked a bit bleak.

 

At the World Equestrian Games, the best British result came from new kid on the block, Amanda Derbyshire who was the only rider to qualify for the individual final. Is it significant that Amanda is based in the US, competing weekly against the US team members who claimed team gold? Adding to the fact she rides for American owners? Additionally, Amanda learned her trade from Nick Skelton and Laura Kraut, with whom she was based as a stable jockey at the beginning of her career. Interestingly her horse, Luibanta BH was sourced and produced by Britain’s Ellen Whitaker. In fact, seven horses competing in the final 25 for the individual medals in Tryon were either bred or produced in the UK.

 

The fact of the matter is that Performance Manager Di Lampard has struggled to pull together a team this year. She has had to be brave and select young partnerships but deserves credit for this move, especially her selection of a predominantly female team. It begs the question, where are Ben Maher and Scott Brash when we needed them? Is their absence due to lack of horsepower or lack of inclination, when the prize money offered by Rolex and the Global Champions Tour is far greater than that offered in Tryon.

 

Di is the first to remark that the problem is not for want of good riders but rather a lack of strong horse and rider combinations. Anyone who follows British showjumping will be aware that we are breeding some extremely successful horses. Yet the figure above, suggests that we are not keeping hold of these horses.

 

Other opinions in the sport, suggest it is the British system that is letting the sport down. That the class structure is a hindrance rather than a help in producing and sourcing young talent.

 

I will leave you with the view of Nick Skelton on where we are going wrong at the moment:

 

“Like the Europeans, we should be focusing on having age classes for horses in order to source and produce the best young horses in the country before they get sold out of the country. And unlike abroad, there are no incentives offered by the Federation for a rider to keep a good young horse. So when the riders get a good offer, they take the money and it’s foreign riders at the Championships on horses we bred and produced”.

 

At Horse Scout, we love knowing what you think about the industry. So our new series of opinion blogs are aimed at being interactive and spark debate. So we want to know your thoughts on the state of British Showjumping. If you were Chief Executive of British Showjumping or Performance Manager of the British Team, what would you do? 

We look forward to hearing your opinions.

 

Imagery by © BEF / Jon Stroud Media

 

 

General

International Eventing Forum 2018

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International Eventing Forum 2018

Ellie Kelly


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A healthy turnout of eventing supporters turned out for the 2018 edition of the International Eventing Forum. An event which has been held in the UK since 2004

 

The theme for this year was “What’s the limit?”. The sport of eventing has evolved considerably in the last 20 years. Dressage technicality has taken on a new meaning and the quality of work and horsemanship required in this phase has increased radically. When Cross-country switched from long to short format, it reduced the influence of stamina but brought more emphasis on technicality and mental as well as physical agility in horse and rider. In turn, show jumping has become more demanding, requiring a greater level of training and precision than was previously the case.

 

Through a variety of topics and between four highly regarded professionals, the  big question posed at this insightful day was “how far can we actually push the boundaries in our sport to keep up with obvious performance improvements of both horse and rider”. But in a sport where amateurs compete alongside professionals, how can  we raise our game without becoming elitist and alienating the enthusiastic amateur?

 

Former International Dressage rider Sandy Phillips, is a familiar face in the judges box at many of the world’s FEI events. In eventing she judges at Three and Four star and she endeavoured to unveil what the judge is looking to see, in order to gain the higher marks.

 

With two competent demo riders in Tom Mc Ewen and Jonty Evans, Sandy put them through their paces and gave a critical commentary. Overall, her focus was on “riding the jump” with your seat and creating as big a step as your horse’s balance can cope with. “To impress the judge, Event riders need to be more confident in riding forwards in the dressage arena and use those corners as much as possible” she said.

 

Eric Winter followed with some useful tips both for riders and coaches. He worked with three young riders, all riding young and green horses. He set up a number of simple jumping exercises to emphasise what the basics of good jump training were. “Circles are the foundation for all riding. Not just in dressage but in jumping in the way that course designers put jumps on turns or curving lines. So you need to be able to ride a circle perfectly. As a rider you should have three questions when approaching the fence

1) Is your horse genuinely taking you or are you pushing it?

2) How straight are you on the line to the fence

3) Is the rhythm regular?

The rider should be focusing on this but it is up to the horse to find it’s feet at the pole if it has been correctly presented” he explained. “Repetition of an exercise produces an understanding on the horse of what is happening. Be patient with exercises to allow the horse to buy into the process and in doing so, gain confidence. Teach a horse to look for fences around corner. It is when they are surprised that they make bad decisions.”

 

After lunch, Performance Psychologist Charlie Unwin delivered his philosophy on mind management and how the mind can limit the body when under pressure. The Horse Scout advocate talked about the importance of only allowing yourself to focus on positive psychology. And how he helps rider to achieve what is known as “flow state” a level of 100% focus and concentration whilst delivering a performance. “Your thoughts have a way of sinking into your hands, your legs, your seat and the whole of your body so a lack of self- belief can be the biggest barrier to improvement and success.”

 

Charlie also discussed “Identity” to the audience. “This is the story you tell yourself about yourself. We ask ourselves “Who am I?” But you should be saying “Who do I want to be?”. The warm up arena is the biggest example of this, a place where riders often become shells of themselves. Instead riders should embody the mind beliefs and body of a World Class Rider. It is common for riders not to even consider themselves as an athlete but instead as simply an instrument to get the best out of the horse. In order to become an athlete you need to think like one as well as training and preparing like one” he said.

 

The final session was led by Frederik Bergendorff, a former international event rider and Gold medallist at the 1993 Europeans, Frederik now holds the role of Team Sweden’s Eventing Manager.

 

He worked with four star riders Imogen Murray and Ludwig Svennerstal and highlight what the basics of good jump riding really were for all levels of rider. He reinforced the importance of the warm up and quality preparation. “Your horse must be totally through from behind before you start jumping.”

 

His focus was on doing the basics better in training and he laid his principles out clearly for spectators. “Don’t go up a level or do something new in a schooling exercise unless you have mastered that one. To approach a fence you should have pace, energy and a good frame in the horse before the turn so that as you approach you can just concentrate on keeping the balance and rhythm. Being in balance means the rider should be sitting in the middle of the horse and you train balance with your seat. If you approach is correct then there should be no need to look for strides, the fence will find you. On landing from a jump, you should press the horse forward to the hand from the leg. Not only will this save seconds in the ring but it will stop him falling on the forehand.”

 

The International Eventing Forum will return to Hartpury  on the 4th of February 2019 and the speaker will be announced on http://www.internationaleventingforum.com/ soon.

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